Join us for our first 2012 PCB Members & Friends Meeting at Ryerss Museum and Library where staff member Ruth Wiley will take us on a tour of their eclectic collection.
Tuesday, February 21, 2012
6:00 to 8:00pm
Ryerss Museum and Library
7370 Central Avenue
Philadelphia, PA 19111-3059
RSVP at events@philadelphiacenterforthebook.org
Please enter through the basement door in the rear of the building that faces the parking lot. There will be a sign. After entering, take the elevator at the end of the hall to the 2nd floor. We will be meeting in the 2nd floor gallery.
Directions from Center City:
Fox Chase Line Regional Rail-Train 6848 picks up at Suburban Station at 5:30 pm and drops off at Ryers Station at 5:59 pm.
The Fox Chase Line Regional Rail Train 857 picks up at Ryers Station at 8:22 pm drops off at Suburban at 8:47 pm.
Thursday, January 19, 2012
Saturday, January 14, 2012
Calls for Entry
Three Solo Exhibitions
Print & Picture Hallway Gallery
Parkway Central Library | The Free Library of Philadelphia
Deadline for Application: March 1, 2012
ELIGIBILITY:
• Artists over 18 years of age.
• Entries accepted from Bucks, Burlington, Camden, Chester, Delaware, Montgomery, New Castle, Philadelphia & Salem counties
MEDIA ACCEPTED:
Artist books, drawing, photography, and prints.
LIMITATIONS:
All 2D work must be framed with secure hanging devices ready to install, except for book arts. The Friends of the Print & Picture Collection reserve the right to reject work that differs from submitted images.
FEES:
There is a non-refundable fee of $25.00, which includes a year’s membership to the Friends of the Print & Picture Collection. Current Friends of PIX should send a $10 submission fee. Checks should be made payable to Free Library of Philadelphia Foundation. Credit card payment is available. Membership is required for submission eligibility.
TERMS: All submissions are in a digital format, see entry guidelines. All sales of artwork handled by the artist.
PURCHASE PRIZE:
The Print & Picture Collection will purchase a work of art from each artist selected to exhibit, to value of $400.
For more information: click here.
------
Call for Book and Paper Artists
Shin Jidai: Contemporary Japanese Book and Paper Arts
Minnesota Center for Book Arts (Minneapolis, MN)
Submission Deadline: March 4, 2012
Minnesota Center for Book Arts (MCBA) seeks art to be included in a juried exhibition of contemporary Japanese book and paper arts. The exhibition will be on display in MCBA's Star Tribune Foundation Gallery from May 19 through July 15, 2012. Eligible work may include, but is not limited to: sumi-e, calligraphy, origami, kirie (paper-cutting) moku hanga (Japanese watercolor woodcut prints,) handmade paper, hand bookbinding, or any paper-based work that upholds the traditions of Japanese book and paper arts.
There is no entry or participation fee. Selected artists will be responsible for all shipping costs. While on view at MCBA's gallery, all work will be fully insured.
Email your submission(s) to MCBA Exhibitions Manager Joanne Price (jprice@mnbookarts.org). Use "Shin Jidai" as the subject line of your email. Artists are welcome to submit multiple works, but each submission must be sent in a separate email. Your email must include:
A one-page Word or PDF document containing:
- Name of artist(s)
- Mailing address
- Email address
- Telephone number
- Title of work
- Medium/materials
- Dimensions
- Year completed
- Any special installation considerations or other descriptive information you feel is necessary to fully appreciate the work
Up to three (3) digital images per work.
Images should be JPG format, 72dpi resolution, with longest dimension at 900 pixels.
Selected artists will be informed by April 2, 2012.
Selected work must be delivered by May 4, 2012.
Work will be returned by August 31, 2012.
For more information: email MCBA Exhibitions Manager Joanne Price .
------
Call for Book and Print Artists
Upcycled Art
Atelier 6000 (Bend, OR)
Deadline: March 16, 2012
One person’s trash is another's treasure. "Upcycled Art" will feature artwork created from what some may consider waste giving the items a new lease on life. This exhibition highlights artists aiming at good usable design and real beauty taking the notion of reprocessing and conservation to a new height in original prints from collagraphic plates of found objects, as well as 2D and 3D mixed media art to create Upcycled Art. All artworks entered must be for sale. Entry Fee: $35.00 to submit up to three images.
For more information: click here.
------
Call for Entries for a Juried Exhibition - "In, On, Of Paper"
Paper Circle in Nelsonville, Ohio.
May 25, 2012 – August 1, 2012.
Deadline: April 6, 2012
Entry is open to any original work in, on, or of paper including handmade paper, paper sculpture, artist's books, cut paper, stitched paper or works on paper. This year's juror is Eileen Wallace. Work will be juried from digital images only. Fee: $25 for up to two entries.
For more information: click here.
Print & Picture Hallway Gallery
Parkway Central Library | The Free Library of Philadelphia
Deadline for Application: March 1, 2012
ELIGIBILITY:
• Artists over 18 years of age.
• Entries accepted from Bucks, Burlington, Camden, Chester, Delaware, Montgomery, New Castle, Philadelphia & Salem counties
MEDIA ACCEPTED:
Artist books, drawing, photography, and prints.
LIMITATIONS:
All 2D work must be framed with secure hanging devices ready to install, except for book arts. The Friends of the Print & Picture Collection reserve the right to reject work that differs from submitted images.
FEES:
There is a non-refundable fee of $25.00, which includes a year’s membership to the Friends of the Print & Picture Collection. Current Friends of PIX should send a $10 submission fee. Checks should be made payable to Free Library of Philadelphia Foundation. Credit card payment is available. Membership is required for submission eligibility.
TERMS: All submissions are in a digital format, see entry guidelines. All sales of artwork handled by the artist.
PURCHASE PRIZE:
The Print & Picture Collection will purchase a work of art from each artist selected to exhibit, to value of $400.
For more information: click here.
------
Call for Book and Paper Artists
Shin Jidai: Contemporary Japanese Book and Paper Arts
Minnesota Center for Book Arts (Minneapolis, MN)
Submission Deadline: March 4, 2012
Minnesota Center for Book Arts (MCBA) seeks art to be included in a juried exhibition of contemporary Japanese book and paper arts. The exhibition will be on display in MCBA's Star Tribune Foundation Gallery from May 19 through July 15, 2012. Eligible work may include, but is not limited to: sumi-e, calligraphy, origami, kirie (paper-cutting) moku hanga (Japanese watercolor woodcut prints,) handmade paper, hand bookbinding, or any paper-based work that upholds the traditions of Japanese book and paper arts.
There is no entry or participation fee. Selected artists will be responsible for all shipping costs. While on view at MCBA's gallery, all work will be fully insured.
Email your submission(s) to MCBA Exhibitions Manager Joanne Price (jprice@mnbookarts.org). Use "Shin Jidai" as the subject line of your email. Artists are welcome to submit multiple works, but each submission must be sent in a separate email. Your email must include:
A one-page Word or PDF document containing:
- Name of artist(s)
- Mailing address
- Email address
- Telephone number
- Title of work
- Medium/materials
- Dimensions
- Year completed
- Any special installation considerations or other descriptive information you feel is necessary to fully appreciate the work
Up to three (3) digital images per work.
Images should be JPG format, 72dpi resolution, with longest dimension at 900 pixels.
Selected artists will be informed by April 2, 2012.
Selected work must be delivered by May 4, 2012.
Work will be returned by August 31, 2012.
For more information: email MCBA Exhibitions Manager Joanne Price .
------
Call for Book and Print Artists
Upcycled Art
Atelier 6000 (Bend, OR)
Deadline: March 16, 2012
One person’s trash is another's treasure. "Upcycled Art" will feature artwork created from what some may consider waste giving the items a new lease on life. This exhibition highlights artists aiming at good usable design and real beauty taking the notion of reprocessing and conservation to a new height in original prints from collagraphic plates of found objects, as well as 2D and 3D mixed media art to create Upcycled Art. All artworks entered must be for sale. Entry Fee: $35.00 to submit up to three images.
For more information: click here.
------
Call for Entries for a Juried Exhibition - "In, On, Of Paper"
Paper Circle in Nelsonville, Ohio.
May 25, 2012 – August 1, 2012.
Deadline: April 6, 2012
Entry is open to any original work in, on, or of paper including handmade paper, paper sculpture, artist's books, cut paper, stitched paper or works on paper. This year's juror is Eileen Wallace. Work will be juried from digital images only. Fee: $25 for up to two entries.
For more information: click here.
Saturday, December 10, 2011
JOIN OUR MEMBERSHIP OR RENEW TODAY!
It's that time of year again! As we look back on 2011, we're proud to have provided our members & friends with many opportunities in many forms - exhibitions/calls for entry, exposure to collections in local institutions, workshops, book fairs, and a sense of community in Philadelphia among book lovers. To see pictures from our year, and years past, in full click here, or hop over to our Facebook page to see selections.
As 2012 quickly approaches, we ask that you help keep our dynamic organization going by supporting us with your membership. Members receive discounts at our public programs and workshops, have access to special exhibition opportunities and calls for entry, and benefit from a network of book-related individuals and institutions.
We depend on contributions from individuals, foundations, and government grants to sustain our activities. Donations of any size are most welcome.
To support and join or renew today: click here.
For more information: click here.
Membership renewal is on an annual basis. Memberships renewed after October 1st will be valid through December 31st of the following year.
As 2012 quickly approaches, we ask that you help keep our dynamic organization going by supporting us with your membership. Members receive discounts at our public programs and workshops, have access to special exhibition opportunities and calls for entry, and benefit from a network of book-related individuals and institutions.
We depend on contributions from individuals, foundations, and government grants to sustain our activities. Donations of any size are most welcome.
To support and join or renew today: click here.
For more information: click here.
Membership renewal is on an annual basis. Memberships renewed after October 1st will be valid through December 31st of the following year.
Tuesday, November 22, 2011
MOBY-DICK IN PICTURES: ONE DRAWING FOR EVERY PAGE
The Rosenbach Museum & Library presents
a talk and book signing with illustrator Matt Kish, author of MOBY-DICK IN PICTURES: ONE DRAWING FOR EVERY PAGE
Wednesday, Nov 30th at 6 p.m.
2008-2010 Delancey Place
Free with museum admission: $10 for adults, $8 for seniors, $5 for students. RSVP strongly recommended. Please call (215) 732-1600, ext. 123, email rsvp@rosenbach.org or visit www.rosenbach.org for additional information.
“In an age of soulless, cookie-cutter computer illustrations, Matt Kish's intense and obsessive drawings, paintings, and montages are a riotous delight. Kish's artwork renews our age-old love of expressive handmade imagery. He humanizes his material in a way that has all but disappeared from the design scene. It's great to see that passion again.” —Paula Scher
Inspired by one of the world’s greatest novels, Matt Kish set out on an epic journey of his own one day in August 2009. More than one hundred and fifty years following the original publication of Moby-Dick, Kish began illustrating Herman Melville’s classic, creating images based on the text selected from every page of the 552-page Signet Classics paperback edition.
The Rosenbach Museum & Library holds a number of Melville related objects in the museum’s collection and invites attendees to talk with Kish and explore his personal and artistic voyage through Moby-Dick.
Completely self-taught, Kish refused to set any boundaries for the artwork and employed a deliberately low-tech approach in response to the increasing popularity of born-digital art and literature. He used found pages torn from old, discarded books, as well as a variety of mediums, including ballpoint pen, marker, paint, crayon, ink, and watercolor. By layering images on top of existing words and images, Kish has crafted a visual masterpiece that echoes the layers of meaning in Melville’s narrative. In retrospect, Kish says he feels as foolhardy as Ishmael and as obsessed as Captain Ahab in his quest for the great white whale.
a talk and book signing with illustrator Matt Kish, author of MOBY-DICK IN PICTURES: ONE DRAWING FOR EVERY PAGE
Wednesday, Nov 30th at 6 p.m.
2008-2010 Delancey Place
Free with museum admission: $10 for adults, $8 for seniors, $5 for students. RSVP strongly recommended. Please call (215) 732-1600, ext. 123, email rsvp@rosenbach.org or visit www.rosenbach.org for additional information.
“In an age of soulless, cookie-cutter computer illustrations, Matt Kish's intense and obsessive drawings, paintings, and montages are a riotous delight. Kish's artwork renews our age-old love of expressive handmade imagery. He humanizes his material in a way that has all but disappeared from the design scene. It's great to see that passion again.” —Paula Scher
Inspired by one of the world’s greatest novels, Matt Kish set out on an epic journey of his own one day in August 2009. More than one hundred and fifty years following the original publication of Moby-Dick, Kish began illustrating Herman Melville’s classic, creating images based on the text selected from every page of the 552-page Signet Classics paperback edition.
The Rosenbach Museum & Library holds a number of Melville related objects in the museum’s collection and invites attendees to talk with Kish and explore his personal and artistic voyage through Moby-Dick.
Completely self-taught, Kish refused to set any boundaries for the artwork and employed a deliberately low-tech approach in response to the increasing popularity of born-digital art and literature. He used found pages torn from old, discarded books, as well as a variety of mediums, including ballpoint pen, marker, paint, crayon, ink, and watercolor. By layering images on top of existing words and images, Kish has crafted a visual masterpiece that echoes the layers of meaning in Melville’s narrative. In retrospect, Kish says he feels as foolhardy as Ishmael and as obsessed as Captain Ahab in his quest for the great white whale.
Thursday, November 17, 2011
Call for Entries: American Impressions 2012 Juried Printmaking & Book Art Exhibition
The annual juried printmaking exhibition American Impressions will be held in the University Galleries at William Paterson University from January-March 2012. Below you will find information about the exhibition and submission guidelines. Please share this invitation with artists who might like to submit work.
Online prospectus: click here.
For questions contact:
Emily Johnsen, Program Assistant
University Galleries
William Paterson University
Wayne, NJ 07470
973-720-2654
CALL FOR ENTRIES
AMERICAN IMPRESSIONS 2012
JURIED PRINTMAKING & BOOK ART EXHIBITION
All Traditional and Digital Print Media
Exhibition Dates
January 30 March 9, 2012
Submissions Deadline
Tuesday, December 6, 2011
Organized by the University Galleries at William Paterson University, American Impressions is an annual juried printmaking exhibition featuring traditional and digital print media and book art. Select works will receive Purchase Awards and become part of the University¹s permanent collection. One artist will be selected to have a solo exhibition at the University
Galleries.
ELIGIBILITY
The exhibition is open to all artists residing in the United States. Prints must have been completed within the past two years and may not exceed 60 inches. Work previously shown at the William Paterson University Galleries will not be accepted.
ARTWORK REQUIREMENTS
All accepted work requires proper framing and should be ready to be hung (except for book art which will be displayed in vitrines on pedestals). The Juror reserves the right to reject any work found to be unacceptable upon arrival.
SALES & AWARDS
Sales are encouraged. A 20% commission will be taken by the University. Prints and books selected for Purchase Awards will become part of the University¹s Permanent Print & Book Collection.
LIABILITY
All work shown at the gallery will be insured for the duration of the exhibition. The gallery cannot insure works in transit.
SHIPPING REQUIREMENTS
The cost of shipping works to and from the gallery is the responsibility of the artist. Please do not send artwork in packing peanuts.
SUBMISSIONS PROCESS
1. To submit your artwork, please visit:
http://www.wpugalleries.slideroom.com
2. Register an account with SlideRoom. Click on ³Start a New Submission.²
3. Fill out the Application Form.
4. Upload your Artist Bio/CV and Artist Statement in the Documents
section.
5. Upload up to 3 images (one image per artwork; 4 x 6 inches at 300 dpi). Be sure to list the Title, Date, Medium and Dimensions in the specified areas.
6. Pay the entry fee of $25 when prompted to receive submission confirmation.
(Entry fees go toward the purchase of artwork from the American Impressions exhibition for the William Paterson University permanent art collection.)
TIMELINE
Submissions Deadline
Tuesday, December 6, 2011
Notification
Thursday, December 22, 2011
Receipt of Work Deadline
Monday, January 16, 2012
Reception Date
Sunday, February 5, 3:00 5:00 p.m.
ABOUT THE JUROR
Elizabeth F. Spungen, Executive Director of The Print Center in
Philadelphia, PA.
Liz Spungen has been the Executive Director of The Print Center in
Philadelphia since 2006. She received both a BA and MA in the History of Art
from the University of Pennsylvania and has spent her entire career working
with the visual arts in Philadelphia.
During her tenure at The Print Center, her curatorial efforts have included
Black Pulse: Doug + Mike Starn (2007); Nakazora: space between sky and
earth: Masao Yamamoto (2008); and the upcoming Silver Mine, a retrospective
exhibition of the work of photographer Robert Asman.
Spungen has been on the curatorial staff at the Institute of Contemporary
Art, The Fabric Workshop and Museum and Bryn Mawr College, and was President
of the Chester Springs Studio and the Arcadia University Art Gallery. From
2002 2006 she headed Liz F. Spungen Fine Art, specializing in works on
paper from the greater Philadelphia region.
ABOUT THE COMPETITION
Since 2001, this national juried exhibition has celebrated the print and the
printmaker. Elizabeth F. Spungen, Executive Director of The Print Center
(Philadelphia, PA) is the juror for the 2012 printmaking competition. Past
jurors have included: Anne Coffin (Founder and Director, International Print
Center of New York); Willie Cole (Artist/Printmaker); Ofelia Garcia (former
Dean of the College of Arts and Communications, William Paterson
University); John W. Ittman (Curator of Prints, Philadelphia Museum); David
Kiehl (Curator of Prints, Whitney Museum of American Art); and Dr. Marilyn
S. Kushner (Curator of Prints and Drawings, Brooklyn Museum); among others.
Online prospectus: click here.
For questions contact:
Emily Johnsen, Program Assistant
University Galleries
William Paterson University
Wayne, NJ 07470
973-720-2654
CALL FOR ENTRIES
AMERICAN IMPRESSIONS 2012
JURIED PRINTMAKING & BOOK ART EXHIBITION
All Traditional and Digital Print Media
Exhibition Dates
January 30 March 9, 2012
Submissions Deadline
Tuesday, December 6, 2011
Organized by the University Galleries at William Paterson University, American Impressions is an annual juried printmaking exhibition featuring traditional and digital print media and book art. Select works will receive Purchase Awards and become part of the University¹s permanent collection. One artist will be selected to have a solo exhibition at the University
Galleries.
ELIGIBILITY
The exhibition is open to all artists residing in the United States. Prints must have been completed within the past two years and may not exceed 60 inches. Work previously shown at the William Paterson University Galleries will not be accepted.
ARTWORK REQUIREMENTS
All accepted work requires proper framing and should be ready to be hung (except for book art which will be displayed in vitrines on pedestals). The Juror reserves the right to reject any work found to be unacceptable upon arrival.
SALES & AWARDS
Sales are encouraged. A 20% commission will be taken by the University. Prints and books selected for Purchase Awards will become part of the University¹s Permanent Print & Book Collection.
LIABILITY
All work shown at the gallery will be insured for the duration of the exhibition. The gallery cannot insure works in transit.
SHIPPING REQUIREMENTS
The cost of shipping works to and from the gallery is the responsibility of the artist. Please do not send artwork in packing peanuts.
SUBMISSIONS PROCESS
1. To submit your artwork, please visit:
http://www.wpugalleries.slideroom.com
2. Register an account with SlideRoom. Click on ³Start a New Submission.²
3. Fill out the Application Form.
4. Upload your Artist Bio/CV and Artist Statement in the Documents
section.
5. Upload up to 3 images (one image per artwork; 4 x 6 inches at 300 dpi). Be sure to list the Title, Date, Medium and Dimensions in the specified areas.
6. Pay the entry fee of $25 when prompted to receive submission confirmation.
(Entry fees go toward the purchase of artwork from the American Impressions exhibition for the William Paterson University permanent art collection.)
TIMELINE
Submissions Deadline
Tuesday, December 6, 2011
Notification
Thursday, December 22, 2011
Receipt of Work Deadline
Monday, January 16, 2012
Reception Date
Sunday, February 5, 3:00 5:00 p.m.
ABOUT THE JUROR
Elizabeth F. Spungen, Executive Director of The Print Center in
Philadelphia, PA.
Liz Spungen has been the Executive Director of The Print Center in
Philadelphia since 2006. She received both a BA and MA in the History of Art
from the University of Pennsylvania and has spent her entire career working
with the visual arts in Philadelphia.
During her tenure at The Print Center, her curatorial efforts have included
Black Pulse: Doug + Mike Starn (2007); Nakazora: space between sky and
earth: Masao Yamamoto (2008); and the upcoming Silver Mine, a retrospective
exhibition of the work of photographer Robert Asman.
Spungen has been on the curatorial staff at the Institute of Contemporary
Art, The Fabric Workshop and Museum and Bryn Mawr College, and was President
of the Chester Springs Studio and the Arcadia University Art Gallery. From
2002 2006 she headed Liz F. Spungen Fine Art, specializing in works on
paper from the greater Philadelphia region.
ABOUT THE COMPETITION
Since 2001, this national juried exhibition has celebrated the print and the
printmaker. Elizabeth F. Spungen, Executive Director of The Print Center
(Philadelphia, PA) is the juror for the 2012 printmaking competition. Past
jurors have included: Anne Coffin (Founder and Director, International Print
Center of New York); Willie Cole (Artist/Printmaker); Ofelia Garcia (former
Dean of the College of Arts and Communications, William Paterson
University); John W. Ittman (Curator of Prints, Philadelphia Museum); David
Kiehl (Curator of Prints, Whitney Museum of American Art); and Dr. Marilyn
S. Kushner (Curator of Prints and Drawings, Brooklyn Museum); among others.
Tuesday, November 15, 2011
Conservation Basics Workshop - Deadline This Friday!
Saturday, December 10, 2011
10:00 am to 5:00 pm
The National Archives at Philadelphia
Entrance on Chestnut Street between 9th and 10th Streets
Instructor: Erin Paulson
Registration deadline: November 18, 2011
Click here for application form.
$75/Members, $95/Non-Members, $15 Materials fee
(Materials fee is paid to the Teaching Artist on the day of the workshop.)
This course will be an introduction to the vast world of book and paper conservation. Basic conservation tools and techniques will be covered, as well as archival materials and simple ways to protect items for the future. We will also address simple repairs for papers and books. Students are encouraged to bring in their own old or damaged books or paper items in need of protection and repair, for practice or for consultation. Your projects should be those on which you are willing to practice. All interested parties are welcome; no prior experience necessary!
Erin Paulson is a book artist and conservator living in Philadelphia. She received her BFA in photography from Columbia College Chicago in May 2007, and is currently pursuing an MFA in Book Arts/Printmaking from the University of the Arts.
Since 2007 Erin spent two years working at Loveleaf Press, a custom bookbindery in Chicago, doing bookbinding and letterpress. She has studied books and fiber arts at the American Academy of Bookbinding, the Penland School of Crafts, and the Arrowmont School of Arts and Crafts, and book conservation under Barb Korbel at the Newberry Library and Christine Fabian at the Art Institute of Chicago's Ryerson and Burnham Library.
10:00 am to 5:00 pm
The National Archives at Philadelphia
Entrance on Chestnut Street between 9th and 10th Streets
Instructor: Erin Paulson
Registration deadline: November 18, 2011
Click here for application form.
$75/Members, $95/Non-Members, $15 Materials fee
(Materials fee is paid to the Teaching Artist on the day of the workshop.)
This course will be an introduction to the vast world of book and paper conservation. Basic conservation tools and techniques will be covered, as well as archival materials and simple ways to protect items for the future. We will also address simple repairs for papers and books. Students are encouraged to bring in their own old or damaged books or paper items in need of protection and repair, for practice or for consultation. Your projects should be those on which you are willing to practice. All interested parties are welcome; no prior experience necessary!
Erin Paulson is a book artist and conservator living in Philadelphia. She received her BFA in photography from Columbia College Chicago in May 2007, and is currently pursuing an MFA in Book Arts/Printmaking from the University of the Arts.
Book Paper Scissors This Saturday!
10:00 am to 4:00 pm
at the Parkway Central Library
Free Library of Philadelphia
1901 Vine Street
Free and open to the public!
This festive book fair features prints, artists' books, handmade paper, zines, origami, blank books, paper sculpture, and jewelry, all made by local artists. If it's paper-based art, it's here!
Free book-making workshops for all ages will also be offered at the Library the day of the fair. Space is limited - please email events@philadelphiacenterforthebook.org to reserve your spot for a workshop. Walk-ins are welcome for the Kids & Families Pop-ups workshop.
For Adults and Teens:
Hidden Books
11 am-Noon, Room 108
Within every sheet of paper is a hidden book lying in wait. We will discover how to make several of these single sheet structures. You'll leave with samples and the know-how to embed your own content into these functional, quick books!
For Kids and Families:
Pop-ups
2-3 pm, Room 108
Making pop-ups is easy - just cut, fold, and pop! We will explore paper engineering techniques to make cards that jump off the page! Students will learn the basics, including v-fold, layers, and simple tabs, to make your own personalized pop-up creations. Animate holiday cards, build abstract kinetic cards, and more. This workshop is for all ages and levels of experience.
Subscribe to:
Posts (Atom)