Monday, September 23, 2013

Two Open Positions at the Grolier Club

The Grolier Club of New York, America’s oldest and largest society of
enthusiasts in printing and the graphic arts, is seeking two talented,
motivated, enthusiastic, self-directed, and detail-oriented administrative
professionals to coordinate the Club’s distinguished 130-year-old series of
publications, and exhibitions.  


1. GROLIER CLUB PUBLICATIONS MANAGER: SEARCH REOPENED


Since its founding the Grolier Club has published over five hundred books
and exhibition catalogues—some of them now the standard references in their
fields—on such subjects as photography, William Blake, Mayan writing,
Albrecht Dürer’s alphabet book, and the well-known “Grolier hundred”
selections in literature, science, and medicine. Many of the publications
have been printed and designed by the leading book artists and typographers
of the past and present, including Theodore Low De Vinne, D. B. Updike,
Bruce Rogers, Stanley Morison, Joseph Blumenthal, the Mardersteigs, and
Jerry Kelly.

Duties & Responsibilities 

Reporting to the Director, the Publications Manager will 

•       Oversee the daily operations of a program producing seven to ten
titles a year, including checklists, catalogues, monographs, and periodicals

•       Lead initiatives in the design and implementation of digital
applications pertaining to the Club’s publications and communications,
including acting as webmaster for the Club’s website
•       Communicate with Grolier Club member curators and others about
publications relating to Club exhibitions and other activities, enforcing
deadlines and maintaining form and content standards
•       Edit for press those publications bearing the Grolier Club imprint
•       Act as liaison to contributors, authors and others involved in the
editorial process of non-Club publications 
•       Communicate with the Club’s distributor about inventory and
marketing of Grolier Club publications to non-members
•       Oversee the Administrative Assistant in fulfilling publications
orders from Grolier Club members
•       Act as primary staff liaison to the Grolier Club Committee on
Publications, assisting the chair of that committee with the preparation of
monthly and annual reports, among other duties
•       Serve as chief editor of the annual Gazette of the Grolier Club, and
the annual Club “Yearbook,” soliciting contributions, evaluating and editing
submissions, and overseeing production

Qualifications

•       Advanced degree in a relevant area of the humanities, or equivalent
experience
•       3-5 years of related print and web editing experience, ideally in an
academic or scholarly environment
•       Excellent writing and organizational skills
•       Proven negotiation and project management skills
•       Demonstrated experience using standard computer word processing and
design programs, and web editing tools 
•       Strong interpersonal skills
•       Ability to work independently in a time-sensitive environment with
multiple and conflicting priorities

A background in bibliography and/or book history is desirable.

Salary from $65,000, depending on experience. Compensation package includes
15 days paid vacation, retirement plan through TIAA/CREF, and comprehensive
health/dental care.

Send résumé, cover letter, and the names of three references to:

Publications Manager Search Committee
The Grolier Club 
47 East 60th Street
New York, NY 10022 

Email applications (to gcpubmgr@gmail.com) are preferred. Applications
received prior to October 15 will be given first consideration.  

More information on the Grolier Club and its programs can be found on our
website: www.grolierclub.org. 



2. GROLIER CLUB EXHIBITIONS MANAGER


The Club was one of the first organizations in America to treat books and
prints as objects worthy of display, and since 1884 the Club has mounted
more than eight hundred exhibitions on topics ranging from Blake to Kipling,
from chess to murder mysteries, from Japanese prints to Art Nouveau posters.


Reporting to the Director, and in consultation with the Committees on Public
Exhibitions and Members’ Exhibitions, the Exhibitions Manager administers
all aspects of the Grolier Club’s programs of public exhibitions (four
annually) and members’ exhibitions (five annually), including registration,
preparation/setup, and PR.   

Duties & Responsibilities   

•       Registration, including requesting loans from other libraries or
individuals for public exhibitions; all correspondence related to the loan
of material; processing of loan, insurance and transportation forms. 
•       Preparation and support, including maintaining and coordinating
calendars for the Public Exhibitions and Members’ Exhibitions programs;
advising curators on exhibition procedures and design; assisting in the
editing and revising of catalogue texts and exhibition label copy;
supervising and participating in exhibition set-up; maintaining supplies of
exhibit materials; creating and maintaining guidelines and standards for
curators of Grolier Club exhibitions. 
•       Public Relations, which includes working with the Club’s PR
consultant in the creation and/or editing of printed and online press
releases; and development of public relations strategies. Duties in this
area also include maintaining mailing and press contact lists; assembling
and distributing press packets; maintaining and sending updates to email
distribution lists; updating the exhibitions pages of the Grolier Club
website, and posting to the Club’s Facebook page and other social media as
appropriate.   

This position supervises one part-time conservator on an as-needed basis,
and oversees a corps of member volunteers in all aspects of exhibition
setup.   

Qualifications   

•       Bachelor's degree or higher in one of the humanities. 
•       3-5 years of relevant experience in the preparation, mounting, and
promotion of exhibitions of rare materials, in an academic or scholarly
environment. 
•       Excellent writing and organizational skills.         
•       Proven negotiation and project management skills. 
•       Demonstrated experience using standard computer word processing, web
editing, and design tools.
•       Experience in the creation of online exhibitions. 
•       Ability to work independently in a time-sensitive environment with
multiple and conflicting priorities. 

A background in bibliography and/or book history is desirable.   

Salary from $65,000, depending on experience. Compensation package includes
15 days paid vacation, retirement plan through TIAA/CREF, and comprehensive
health/dental care.

Send résumé, cover letter, and the names of three references to:

Exhibitions Manager Search Committee
The Grolier Club 
47 East 60th Street
New York, NY 10022 

Email applications (to gcexhibitionsmgr@gmail.com) are preferred.
Applications received prior to October 15 will be given first consideration.


More information on the Grolier Club and its programs can be found on our
website: www.grolierclub.org. 


Eric  Holzenberg
Director
The Grolier  Club
47 East 60th  Street
New York,  NY  10022
phone:  212/838-6690 ext. 1
fax:  212/838-2445
e-mail: ejh@grolierclub.org
website: www.grolierclub.org 

Monday, August 12, 2013

Philadelphia Center for the Book Special Call for Entries: Bibliophiladelphia

What have you been up to lately? Show everyone what you've got!

Philadelphia Center for the Book is seeking member artists to participate in
Bibliophiladelphia, an exhibition at the Parkway Central Library of the Free Library of
Philadelphia. This exhibition will take place from November 4, 2013 – January 3, 2014.
This show will coincide with Book Paper Scissors on November 23rd, our annual book
sale at the FLP.

Details


Members are invited to submit new work to represent the impressive quality and variety of art that comes from PCB’s member artists. Applicants are encouraged to submit up to
three books, prints, or any other form of art. All work must be ready to hang or display.
The exhibition will be on display on the second floor in the cases and on the walls outside the Art and Print and Pictures Departments. The display cases are 56” wide, 26” deep, and 6” high. 
While submissions are open only to members of Philadelphia Center for the Book, anyone may become a member upon submission. There is no fee to submit.

Submission Requirements

Submissions must include the following and should be mailed to Philadelphia Center forthe Book or emailed to exhibitions@philadelphiacenterforthebook.org.
 Application form:
    philadelphiacenterforthebook.org/Bibliophiladelphia-Call-for-Entries.pdf
 Images of each submitted piece (up to 3 entries per member)
 CV/ résumé
 Membership form and check, if applicable

Important Dates

Submissions due: September 20, 2013
Selection notification via email: October 4, 2013
Art Due: October 25, 2013 by mail, or November 2, 2013 by hand delivery
Show opens: November 4, 2013
Opening Reception: November 7, 2013
Show closes: January 3, 2014

Questions?

exhibitions@philadelphiacenterforthebook.org

Thursday, July 18, 2013

Call for Submissions: 4th Sheffield International Artist's Book Prize and Exhibition


Sheffield International Artist's Book Prize

From the administrator of the Prize:

The Prize is now in its fourth edition and has grown significantly with each incarnation. I am writing to book artists and organisations in selected countries focusing upon those areas from where we have had fewer entries to encourage you to enter. The Prize is free to enter and all books submitted are shown in an eight-week exhibition and will feature in online and Print catalogues. The aim of the Prize is both to promote artist's books and to encourage participation in terms of making and exhibiting/showing/facilitating research. Bank Street Arts is an unfunded independent arts charity and the Prize is built on that ethos, although we have secured both funding and sponsorship for the Prize itself this time round to allow us to make it a truly international event. 

You can find out more about the Prize at:
http://artistsbookprize.co.uk/
and more about Bank Street Arts at:
http://bankstreetarts.com/

bookprize@bankstreetarts.com

Book Arts Residency


Book Arts Residency
J. Willard Marriott Library
University of Utah 

In July 2012, the Book Arts Program at the J. Willard Marriott Library, University of Utah received an internal grant to initiate a Book Arts Residency.

Often, book arts is associated with fine press or precious books. Through this residency program we are excited to push the boundaries of book arts and open it up to everything from fine press printing to simple books made from a single sheet of paper. At the culmination of the residency, each artist will contribute copies of work created to be housed in the University of Utah's Special Collections Department, and for exhibition purposes. Additionally, the residency program and resident artists will be featured in a juried show to be held in conjunction with the 2014 College Book Arts Association national conference.

Applications will be accepted on a rolling basis; however, this is a first come-first served selection process and spaces are limited so acceptance is not guaranteed. All skill levels are encouraged to apply; no printing or binding experience is required. Upon acceptance, artists will be granted one semester's access to the Book Arts Program studio during extended business hours, be allotted brief consultation periods with highly trained staff, and have access to all equipment as approved, based on experience. There is no housing stipend for this residency.

For more information or to request an application, please contact the Book Arts Program Grants and Outreach Coordinator, Laura Decker at: laura.decker@utah.edu, or (801) 585-9191

Sunday, June 23, 2013

Opening: Conservator and Head of Conservation Services

Opening posted on the Book Arts Listserv:

The Mary R. & Elizabeth K. Raymond Conservator and
Head of Conservation Services
Stanford University Library, 
Stanford, CA

Under the direction of the Head of the Preservation Department, the Head of Conservation Services plans, directs, and executes the daily activities of the unit, supporting the needs for both special and general collections across Stanford University Libraries (SUL). The Conservation Services Unit consists of the conservation laboratory and book repair, with staff of 4 FTE, plus hourly workers and students. The laboratory treats mainly special collection materials, with the book repair unit performing repairs on the general collections as well as providing re-housing services for all material types. The Head of Conservation Services will be responsible for redesigning protocols and workflows and for implementing technical tools to mitigate the operational complexities resulting from the 9/1/2013 move of the Unit seven miles from campus.  The Head of Conservation Services is responsible for managing Conservation Services as it responds to campus teaching and research priorities.

Full job description and application information at <https://stanford.taleo.net/careersection/2/jobdetail.ftl?job=11182&src=JB-10064>

Central Booking Reopens in NYC

Central Booking, a gallery focusing on artist's books and the intersection of art and science, closed its Brooklyn location last winter. Its new gallery will open fully on September 12 on the Lower Eastside. A "major celebration" will take place then from 6-9 pm. 
In the meantime, the artist's book gallery opened on June 13, and is showing familiar and new work. This has always been a worthwhile stop in Brooklyn for book artists; no doubt the new location will be equally fascinating. 
Watch this blog for updates.

CENTRAL BOOKING
21 Ludlow Street (between Hester and Canal Streets)New York, NY 10002
info@centralbookingnyc.com
Hours: Thursday- Sunday, 12-6pm
www.centralbookingnyc.com 
Note: As of this writing, the web site has no information about the move and reopening at the new location. 

Call for Entries: Juried Exhibition



ABZ etcetera

Juried Exhibition

Sebastopol Center for the Arts
Sebastopol, CA
September 12 - October 19, 2013

Call for work that explores the use of letters, numbers, symbols, characters, text, books, calligraphy but also images of graffiti, murals and letter envelopes.

Open to all media.

Non-refundable Entry Fees:

SCA Members $15 per entry or 3 entries for $35 (membership is $40 annually)
Non-members $20 per entry or 3 entries for $50
Awards: $200 Best of Show, $50 Coordinator’s Award, Merit Awards 

Eligibility:


  • Open to all artists living in the USA.
  • All work must be original (no giclees of drawings, paintings or prints) and not previously shown at SCA.
  • Maximum of 3 entries per artist.
  • Work can be wall hung, free standing, pedestal mounted.
  • Work can be suspended if weight is below 25 lbs.
  • All work must fit through a 6’x6’ doorway (105” on diagonal).
  • Wall-hung work over 60” in any direction, or over 35 lbs. in weight must be submitted by jpeg image on CD for jurying.
  • Free-standing work may not exceed 114’’ in height. However, free-standing work over 36’’ in any direction, or over 50 lbs., must be submitted by jpeg for jurying.
  • Video and film must be submitted as a DVD in loops no longer than 4 minutes and selected artists must supply own equipment for display.
  • Performance artists must submit a DVD up to 4 minutes and need to display the video in loops and participate in an evening of live performance art.

Selection: 

Work for this exhibit will be selected from the actual artwork, or digital images.

Download Prospectus: 

http://sebarts.org/images/uploads/pdf_ABZ_Prosp.pdf

Apply Online: 

http://www.entrythingy.com/d=sebarts.org

Visit website:

www.sebarts.org