Sunday, April 17, 2011

UArts MFA Book Arts/Printmaking Thesis Exhibitions



MFA Book Arts/Printmaking Thesis Exhibitions
The University of the Arts
Rosenwald-Wolf Gallery
Anderson Hall
333 S. Broad Street
Philadelphia, PA 19107
Gallery Hours: Monday - Friday 10am-5pm, Saturday noon-4pm

Chapter One
April 21-30, 2011
Reception: Friday, April 22, 5:30-8:00pm

Chapter Two
May 5-14, 2011
Reception: Friday, May 6, 5:30-8:00pm

The University of the Arts is pleased to announce the 2011 MFA Book Arts/Printmaking Thesis Exhibitions in the Rosenwald-Wolf Gallery. From traditional to innovative concepts and book structures, the exhibitions are the culmination of the artists’ work in the two-year MFA program.

Exhibiting artists in Chapter One, on view April 21-30, are Jody Arthur, Laura Beyer, Becky Davies, and Sean Dyroff. Through installation, paper sculpture, and the book, Jody Arthur uses the language of maps to explore how identity is shaped by location. Laura Beyer is exhibiting cast and drawn objects reflecting on construction of space and the concept of home. Becky Davies and Sean Dyroff present a collaborative installation of sculptural images varying in form and processes that leave evidence of time.

Exhibiting artists in Chapter Two, May 5-14, are Dan Corrigan, Turner Hilliker, Jamie Lynn Schilling, and Yuka Petz. Dan Corrigan’s new body of work questions the changing condition of the book in our culture through altered books and eroded text. Turner Hilliker presents zines and installations that converge his habits and vernacular into both individual and universal pieces. Yuka Petz exhibits sculptural works on handmade paper that investigate elements of written language. Jamie Lynn Schilling has created a city block made up of tiny hand embroidered books, as well as letterpress-printed broadsides and paper-cuts that celebrate ordinary moments.

Wednesday, April 13, 2011

Bodies of Text: Part 1 - This Saturday (4/16)!

Performance and exhibition series featuring
Eleanor Goudie-Averill and Beau Hancock
of Stone Depot Dance Lab,
Rain Ross Dance Company, ReAct Dance
Jumatatu Poe and Shannon Murphy
of idiosynCrazy Productions,
Alie Vidich, Heather Cole & Erin Shanti Desmond
of Movement Brigade,
& Zornitsa Stoyanova of Here[begin] Dance Co.
And Artists of the Philadelphia Center for the Book


April 16, 2011 at the Community Education Center
May 27, 2011 at Studio 34
September 3, 2012 as a part of Philly Fringe Festival

Bodies of Text is a series of collaborative dance performances and art exhibitions tied to the book and its interdisciplinary interpretations. Premiering as a part of the 2011 Philadelphia International Festival of the Arts and its theme of Paris 1911, Bodies of Text is rooted in the idea of Art à la Rue and brings Art to the Street in Philadelphia's Rive Gauche, West Philadelphia.


Philadelphia dance companies interpret seven unique books, selected from many submissions by PCB members. The first installment of these choreographic creations, all world premieres, will be performed on April 16th at the Community Education Center (3500 Lancaster) at 8 pm and will feature works by Idiosyncrazy Productions and Rain Ross Dance. Tickets are available through the CEC (Box Office: 215-387-1911) and through PIFA at http://pifa.org/events/980193157.


Idiosyncrazy director Jumatatu Poe's new piece, A Big Enough Grief, is inspired by Lesley Mitchell's abstraction of AstorPiazzolla's song, Balada para un Loco, in her book of the same title. Mitchell's book has caused Jumatatu to reflect on his experiences with grief and the situations that create it. Composer Piazzolla's lyrics illustrate a man's obsessive love for a woman who is out of his reach. A Big Enough Grief examines the longing for those that are no longer within our reach.


Shannon Murphy, also of Idiosyncrazy Productions, has created Blast Vs Blaze, an investigation of an argument that can never be won or lost. Inspired by Monica Kane's book Strike, and with sound and video work by Steve Surgalski, this dance theater duet explores the definitions that keep us separated, keep us fighting, and that keep us from communication. In the duet, Murphy and Jumatatu Poe combat in unlikely ways. Their movement, often explosive and aggressive forever flues their battle without ever coming to resolution. Blast Vs Blaze is not a comment on who is right or wrong or good or bad. It is more a question of how we fight for ourselves and who we fight against.


Rain Ross Dance, in collaboration with book artist Mimi Shapiro, will premiere another duet, The Flight To Varennes. This choreographic work explores an unforeseen fantasy that could never be a reality, asking the question: does love fall into categories? Ross and dancer Lauren Kelly will perform this exciting and sensuous duet, with an original composition by Dan Roeder.


Performances will be followed by a discussion between choreographers and book artists, examining the transformation from printed page to stage, and accompanied by storefront exhibits of artist books and related material. Featured books will also be on view alongside each performance. Book artists chosen for the May and September installments are: Ananda Connolly, Rebecca Kelly, Anna Mavromatis, Jude Robison, and Bonnie Whitfield.


DONATE TODAY to support Bodies of Text by visiting our Crowdrise site: http://www.crowdrise.com/bodiesoftext


Keep up to date with all things Bodies of Text by visiting the Bodies of Text blog: http://bodiesoftext.blogspot.com/

Sunday, April 10, 2011

An Introduction to Wire-Edge and Gutter-Wire Bindings with Graham Watson

April 16-17, 2011 9:30 am-5 pm
$200 members $250 non-members
(and a small materials fee yet to be determined)
The Library Company of Philadelphia
1314 Locust Street
Philadelphia, PA 19107

This workshop will demonstrate the fundamental methods and materials for two related binding structures: the wire-edge binding and gutter-wire binding, and show a variety of examples based upon these techniques. The wire-edge structure is a versatile approach to binding single sheets or boards in a codex form which opens freely and lies flat while open. The gutter-wire structure offers similar advantages with more traditional folded signatures. The two basic methods can also be combined, offering creative possibilities for working with a mixture of signatures and single sheets, attaching unconventional cover materials, or integrating dissimilar materials in one structure. Workshop participants will complete a model which incorporates both the wire-edge and gutter-wire methods in one piece, providing practice with the essentials of each, and a glimpse of the possibilities of using both methods in tandem. Tools and materials particular to these structures will be discussed, as well as the fabrication of jigs and other aids which would be helpful when considering an edition utilizing these methods.

Graham Watson is a book artist who translates experiences within nature to a reflective contemplation of humanity?s interactions with our environment, and the perception of place defined within a greater natural order. His work is informed by interests in the natural sciences, and a background which includes music, graphic design, photography, and writing. Graham holds an MFA in book arts and printmaking from the University of the Arts, and a BA in graphic design from American University.

If you would like to hold a spot, please send a check made out to:
The Guild of Book Workers
Mail the check along with your contact information to:
Alice Austin
The Library Company of Philadelphia
1314 Locust Street
Philadelphia, PA 19107

CALL FOR ENTRIES - Libro Curio: Reconstructing the Book

CALL FOR ENTRIES
Libro Curio: Reconstructing the Book

Philadelphia Center for the Book and the National Archives and Records Administration at Philadelphia (NARA) are seeking PCB member artists to participate in an exhibition entitled Libro Curio: Reconstructing the Book incorporating book debris (mostly book spines and fragments) found when renovating a stack area. Libro Curio: Reconstructing the Book will open on September 27, 2011. The PCB Exhibitions Committee in concert with NARA archivists will make selections based on project proposals. Participants must be PCB members, but membership is open to all. There is no entry fee.

PCB members are invited to attend a Salon at NARA at 900 Market Street (entrance on Chestnut Street between 9th and 10th Streets) on Wednesday, April 27, 2011, from 5:00 - 7:00 pm. At the Salon, members will view and learn about the book spine pieces, see the exhibition space, and be advised of research opportunities. There will be a lottery system for participants to choose a book spine or fragment, which is to be incorporated into an artist’s book. Depending on the number of participants, it is possible that artists will be able to choose multiple artifacts. Please note that the Salon is mandatory. If you cannot attend, you must send someone to represent you and make your selection(s).

Artists must submit a project proposal by May 18, 2011. Artifacts that will not be used shall be returned to NARA at that time. Artifacts incorporated into the artist’s book (as well as the book itself) will belong to the artist. NARA may decide to purchase a “staff favorite” piece for their collection. The exhibition may travel to other NARA Regional Centers, following a four to six month exhibition at the Philadelphia location.

Click here for application forms.

IMPORTANT DATES
Mandatory Salon: April 27, 2011, 5:00 - 7:00 pm
Proposals Due: May 18, 2011
Selection notification via email: May 29, 2011
Projects Due: September 9, 2011
Opening reception: September 27, 2011

Questions:
exhibitions@philadelphiacenterforthebook.org

Wednesday, March 30, 2011

Opportunities: Calls for Entry

Fine & Dirty: Contemporary Letterpress Art
Deadline:
April 22, 2011

Minnesota Center for Book Arts seeks work to be included in an artist
book exhibition titled “Fine & Dirty: Contemporary Letterpress Art.”
The exhibition will show at MCBA from July 8 to October 16, 2011, and
will then tour nationally. The selected works may continue traditions
in literary and typographical primacy, or they may challenge ideas
about craft or explore interests in content, materials and structure.

All formats are welcome within the expansive understanding of “book”
today, as long as the letterpress medium has been used. There is no
entry or participation fee. Selected artists will be responsible for
shipping and insurance costs to and from MCBA. While on view, all work
will be fully insured and presented in secure cases (unless other
installation instructions are specified). During the tour, host sites
will pay for shipping as well as insurance both in transit and on
site.

To be considered, email the following to Jeff Rathermel, MCBA’s
Executive Director (jrathermel@mnbookarts.org):

1. A one-page Word or PDF document containing name of artist(s),
mailing address, email address, telephone number, title of work,
materials used, measurements of the work, any special installation
instructions and any other descriptive information you feel necessary
to fully appreciate the work.

2. Up to three digital images (72 dpi) per work. Multiple entries are
allowed but should be sent as separate emails.

Place “LETTERPRESS” in the subject line of your email.

Email entries must be received by April 22, 2011.

Selected artists will be notified no later than May 13, 2011. Work
must arrive no later than June 3, 2011 and will be returned no later
September 27, 2013.

***

The Artistic Rebuttal Book Project
Deadline:
May 15, 2011

Amy Scheidegger, a local artist, turns a frustrating conversation she overheard on the subway into an art project.

The press release is as follows:

The other day, I was horribly disturbed by a conversation between eight TOTALLY smart and better-than-everyone-undergraduates, which I overheard in the Philadelphia subway on the way to the theater in which I work as a prop painter. The conversation....what I heard before I exited the subway car so my head wouldn’t explode….went a little like this:
"Art is, like, the most worthless degree anyone can get. Like, haha, they have a degree in making shit with popsicle sticks and string."

Now I'm not naïve, I realize that this really is what some people think about art who don't live artistic lives, but people this young? I thought the youth of this country were more appreciative of art as a lifestyle and a valid career choice. Their sentiments enraged me, and what I have realized about myself is that it usually takes a bout of anger to get me moving. So, in artistic fashion, I want to make a book full of rebuttals to the "art is worthless" debate. That is to say, a book full of "Oh yeah! Art is worthless? Take this!" But with a bit more research and validity, of course.

With this idea, I sent out a mass email/facebook event to somewhere around 600 people to see how many artists (of the visual, performing, musical and written word persuasion), arts administrators and arts appreciators would want to contribute their own rebuttal, and it snowballed from their. As of now, about 1,300 artists have been contacted and 50 confirmed in coming together to make their own statements about the importance of art, where art is hiding that the normal non-artist doesn't see and/or statistics about how much money is spent in any art-related field on any local/state/national level.

Now, a book like this, which is directed towards people who aren't art-centric, won't achieve its ultimate goal of convincing non-art appreciators that art is essential to life, if it's only passed back and forth between artists, so a marketing plan to get it in front of people outside of our "bubble" is in the works. Anyone with any advice on how to do so or has leads would be greatly appreciated.

Art is too important to let conversations like this one be ignored. I don't want the people running this country when I'm old and can’t lift my hand to paint any more to not appreciate what I dedicated my entire life to. I would feel like I hadn't accomplished anything.

Entries can be of any medium, sized 9" x 7". They can be emailed, at atleast 300dpi, to amyscheidegger@gmail.com. They are due on May 15th and the book will be self published shortly thereafter.

Anyone who is interested in contributing to the book, knows of a place where this book can find a home, or has any questions, can contact me at amyscheidegger@gmail.com.

Current submissions can also be viewed at http://artisticrebuttal.tumblr.com

***
Bibliophoria II
Deadline:
May 31, 2011

Sebastopol (CA) Center for the Arts is sponsoring a national juried artist book/book arts exhibition from June 16 to July 23, 2011. Juror will be Sas Colby. Deadline to submit up to 3 entries is May 31. Prospectus may be downloaded at: sebarts.org (click on "call for entry," and then "Bibliophoria II").

Friday, March 25, 2011

One Week Left to Sign Up for Edible Book Fest!

Edible Book Festival
April 1, 2011
7:00 pm to 9:00 pm
49th & Florence Street

As you may know, The International Edible Book Festival is held annually on April 1st, partially to celebrate the birthday of French gastronome Jean Anthelme Brillat-Savarin (1755 - 1826), and partially to celebrate the fun of eating your own words. You can read more about edible books at the official website, www.books2eat.com.

We are very excited to start participating in this Festival and urge you to make an edible book! At the event we will eat non-book snacks and potluck items, photograph and enjoy the books, vote for our favorites, then eat them! As an incentive to participate, the favorite books as voted on by the attendees will receive prizes.

For more information or if you would like to attend this event, please RSVP to Mandy Dunn Sampson at mandydunnsampson@gmail.com. Indicate whether you are bringing an edible book or a potluck item, empty-handed attendees will be charged $10.

Tuesday, March 22, 2011

Call for Artists & Crafters: InLiquid's Art for the Cash Poor 12 - Deadline Approaching

Registration is now open for Art for the Cash Poor 12

Saturday, June, 11 and Sunday, June 12, noon to 6 pm
Rain or Shine at the Crane Arts Building
1400 N. American Street
Philadelphia, PA 19122

DEADLINE: APRIL 4, 2011

Participation Details:
Open to all artists who design and produce their own work. All items for sale must be priced at $199 or below. Participants may sign-up for either one or two days. Participants are required to submit 3-4 digital sample images of the work they intend to sell. Please refer to the participation form below for full details and fees. All participants will be screened for participation.

Display Space:
There are both indoor and outdoor spaces available. No more than two artists may share a table.

The space provided for each artist in the indoor Icebox Project Space is 7’ deep by 7’ wide. The space provided for each artist in the outdoor Green Area is 10’ deep by 10’ wide.

Artists choosing to participate in the outside area are responsible for providing their own coverage. The Green Area is concrete, so tents must be stand alone, weighted.

Forms:
To participate as an individual artist click here.

To participate as a non profit art organization click here.

To participate as a art/design related business click here.
Please contact Sara (saraz@inliquid.org) with questions.